The baby's wails awaken him. The fire has burnt down to a dull orange glow amid a heap of blue-grey ash. His woman shifts under the heap of furs and draws the infant closer, pushing her chapped nipple to his fumbling lips. The baby's cries soften and cease. An ember pops and hisses. At the cave-mouth the cold dawn sky brightens the rock and air sharp with Autumn grazes his cheeks. He rolls out of the furs and stretches, sinews popping in his neck and old scar-tissue across his back twanging tight. Strapping his feet and ankles with swathes of hide, chewed and pissed on, he strides out to the mouth of the cave, to consult with the other men....Continued...
Sunday, August 12, 2007
Homo Suburbia
The baby's wails awaken him. The fire has burnt down to a dull orange glow amid a heap of blue-grey ash. His woman shifts under the heap of furs and draws the infant closer, pushing her chapped nipple to his fumbling lips. The baby's cries soften and cease. An ember pops and hisses. At the cave-mouth the cold dawn sky brightens the rock and air sharp with Autumn grazes his cheeks. He rolls out of the furs and stretches, sinews popping in his neck and old scar-tissue across his back twanging tight. Strapping his feet and ankles with swathes of hide, chewed and pissed on, he strides out to the mouth of the cave, to consult with the other men....Continued...
Labels:
fiction
Triptych
I itch when I see them; their clucking and scratching and flapping and strutting makes my skin break out in hives. I hate the way their movements are so twitchy - all stop and go - no interim of speeding up and slowing down just a sudden walk/not walk, turn/not turn, peck/not peck - mechanical somehow, sinister. But still, fascinated, I have to look - little dinosaurs, do they remember us..?
I've been working in the battery chicken farm for the last seven years. A hundred thousand saw-beaked birds all squashed into one great hanger sized building, the air heated by their own scrawny little quill-bristled bodies; the air filled with the phosphate guano-stink of chicken shit and rusty cages. It gets under your nails and into your skin you know, rubs itself into your bones over the years, that greasey chicken stink.
Sometimes I practice strutting in the mirror: cranking my head back on my neck, jutting my chin out and folding my elbows and wrists back on themselves like a spastic, kicking my knees high and scraping my clenched-up toes on the carpet. Sometimes I can't help it. I sit up nights and I wonder how much chicken DNA I've got messed up with my own. My periods stopped months ago and now sometimes it feels like I've got something like a stone in my womb. I try to push it out, but it just doesn't come. I'm not a good layer, they'd probably toss my carcass in the bin and grind me up for cattle food.
I practice: One hundred Kegels a day - clench the muscles at the base of my pelvis like I'm trying to stop myself weeing real hard, then release and push down - just like it says in the text book I stole from the library. The egg still won't come though, so I massage my belly, in case the egg is in the wrong position - crosswise, stuck, hard shell grating on the submerged bones of my hips. I eat Rennies by the handful for the calcium, so my baby won't break inside. I cried when big sister's kid came round and put on that cartoon of the nursery rhyme. So sad they couldn't fix him. So now I sleep on my back just in case, and take great care not to fall.
My freezer is filled with frosted breasts, jam-packed with rock-hard thighs and rendered fats for sauces. I've taken to stealing a chicken a day from the bird-floor: tucking their heads under the stumps of their wings until they get sleepy and then tucking their malnourished little bone-bag bodies under my coat. No-one misses them. My Mother gets worried about my exclusive poultry-based eating habits. "You'll turn into a chicken one days" she says, and half laughs as she turns away to escape out the door, her words still hanging there in the gloom of the hallway long after the door has clicked shut and she is gone, just a tick-tock hickory-dock noise of heels on the staircase. I rub my belly and pomise to be better when the time comes; sometimes I almost feel the egg rocking in response.
No offence, but I've never liked people that much. Especially when they talk. I can't bear it. All that air coming out that's been inside them. Filled with germs and half eaten stenches. Filled with words. Words to make you do things. Words to Make you feel things you didn't want to. Dirty things. Terrible things. Often I just have to walk away before my hands find something sharp to hold. These blown-up balloon people so full of air, so prickable - and me a pincushion-man barely able to hold my needles out of sight. Wretched and damned, I shut myself away.
No-one missed me. I shopped without a word online, and silently took packages from bored delivery guys - my credit cards doing all the talking for me. No TV no DVD no CD no cassetes no records no radio no newspapers no books no people no mirrors. I breathed open mouthed, so as not to hear even the faint bellows of my breath. Without my glasses I'm a blur so I smash them in the sink. Nothing to betray the stench of humanity. Quiet. Peace.
Urges. Instincts. My body is lonely. The internet is full of middle-aged perverts masquerading as girls. Lonely-heart columns filled with emotional train-wrecks. Gum-cracking, dirty-nailed prostitutes with vaginas full of disease. And they talk, they all want to talk. Spitting their inanities at me with great banana lips blown up with silicon and coated in grease the same colour as old clotted blood.
And then I found Chloe. I found her cruising the net. We approached eachother carefully from behind multiple blinds of faked e-mail accounts and lies about age and district and profession. A photo was sent. I found it pleasing. Some money changed hands anonymously - a number simply moving from one digital set to another. I got an e-mail telling me she was on her way. I cleaned the house until my fingers bled and my eyes streamed with chlorine tears. Everything had to be perfect for her arrival. Gleaming.
Like a vampire-bride she arrived under cover of darkness, in a box. Like some techno-Venus she emerged naked and perfect from a surf of polystyrene twists. She smelt like a new car. Unridden in. Virgin. Mine.
I read her manual. She was in delicate health my love, she needed treating well. Just like real people, she came with no guarrentee.
I lie her torso down in our narrow bed. It takes a while to work out just how to joggle and twist her arms into place and connect her legs without damaging her. Stressed, exhausted, we almost have our first row. And then finally she lay there. Inert. Speechless. Expectationless. Uninvolved and uninvested. Not selling anything, simply waiting to be used.
Her skin is as cool and slick as a snail's backside but I don't care, the manual says I can warm her in the bath if I wish but I like her this way; all loves have their bumps to ride over. And later, spent, talking to myself, I lean over her sleeping form and brush my lips against her ear and speak the words that I have wanted to hear from someone, anyone, for so long.
And in silence she shouts her love back.
I didn't know what to do. I couldn't disappoint them again. My Dad with that knowing wink of his and his desperately hopeful "Don't do anything we wouldn't do eh son..?" as they left me alone that weekend. I often wondered if they were blind my Mum and Dad. They looked at me through some strange natural mixture of parental LSD and smashed dreams and saw this successful, personable, popular kid, when the truth could not have been further.
I mean I okay, so I wasn't a total spaz. I didn't wear specs with tape or have spots like volcanoes. I wasn't very short, nor very tall. Not especially bright, not dumb. I picked my nose, but not in plain view. Average. Save in one respect.
No-one really liked me.
The car pulled out of the drive; balding tyres skating over uneven gravel. I sat, the television on but muted, and watched my knees jump and bounce and jitter in front of me. I couldn't sit still. The clock on the mantlepiece ticked away the seconds. My Dad would come in first, bearing the suitcases, holding the door ajar for Mum with his foot or an elbow. He'd look about the place, its pristine state, the light going steadily out of his eyes and ask me what I'd got up to in their absence, what larks, what shenannigans. Always wanting stories.
What did you do today..?
Nothing.
Who' d you meet today..?
No-one.
Where'd you go today..?
Nowhere.
Each negative rubbing me out until they were left with no choice but to make me up again, invent a son to relate to. A tulpa-child, dreamed up and believed into being; sprung fully formed from their foreheads.
Determined not to disappoint I climbed the stairs, unzipped my pants and pissed a streak all the way across the landing. I ate Cheetos by the bagfull and gulped salty water to fill the vases with puke. I tipped half a bottle of whiskey over Dad's prize amplifier. I threw some coats I'd stolen from school half under Mum and Dad's bed. I wanked into some condoms and left them floating in the bowl. I smoked and ground the butts out on the carpet. And in my head I saw the party, catalogued the incidents, drew up the story board. To admit, to tell.
If I could not be the son my Mother and Father wanted, then I could at least collude in my own fictionalization, I owed them that much.
Labels:
fiction
Dance Hall Days
Don't get us wrong, we had class, we were just too poor to express it in our drinking habits. We were young then and always in a hurry - we drank as a means, rather than as an end in itself - a means of losing the part of ourselves that stopped us from taking risks; a means of eluding our self-consciousness, of drowning it out under a layer of cheap supermarket booze and a couple of ice-cubes. A means of becoming something both more and less than ourselves for one night a week.
And meeting women of course. Let's not get too poetic here. We drank mainly as a means to a leg-over.
The club we usually went was The Cookie Club - a couple of large rooms spanning the second and third floors of a back-street building just off the Council-House Square in the city-centre. Inside it was painted a utilitarian black with day-glow scrawls and garish insignia crawling every surface. A small bar outlined in twinkling rope-lights on the right, and a square dance floor wreathed in old cigarette smoke and sweat beyond. Upstairs a chill-out zone with a fag-machine and scattered chairs - warped wooden windows thrown open to let in the cool night air.
It was about eleven, the pubs had closed their doors and we were swaying on the stairs, queuing, laughing - jittery on our toes - expectant. Awash with stupidity and hope and wearing slack-jawed grins. Clumsy cigarettes in our hands and smoke dribbling from our nostrils; our ash feathered the heavy breath-filled air. The music from above throbbed in the cool metal of the hand-rail as we climbed the steps one by one.
It was Eighties night of course - even though Nineteen-Ninety had already come and gone. It was still too early in the decade for it to have aquired a musical flavour all of its own, and even though we were barely into our twenties, already we were nostalgic for the past. Maybe the familliar music made us feel somehow older, somehow wiser, more accomplished - the Eighties were something we'd done; somewhere we'd been; worn the tee-shirts for. And if nothing else, at least we knew how to dance Eighties-style - Adolescence had taught us that much.
We dumped our coats and lost eachother in the murk. Pubs were social but clubs were more of a singular pursuit. The music was always too loud to hear anyone below a scream anyway. I propped myself up against a pillar plastered in a sweating paisley patterns and watched girls dance. Waiting for a song that would pull me away from myself and onto the floor and into the many legged, many armed embrace of pissed humanity.
"We were so. in. phase.
In our dance. hall. days.
We were cool. on. craze.
When I, you, and everyone we knew
Could believe, do, and share in what was true -
An' ah said..."
There are some songs I still can't help liking. Even now - no matter how cheesey they may seem to my middle-aged ears - these songs tug at me and send me grinning back to the days when I could dance without inhibition, confident that the eyes watching me were indulgent. And then I pity the poor modern youth , so young and yet forced to pretend to be so old. Then I grimmace and smile and catch myself, and remember it was the same for us.
The gloom of the bar was ripped away in the blaze of strobes and ultra-violet arc-lights revolving overhead. The heat from the spotlights seared over my back as they passed. People's eyes glowed in the dry-ice and their teeth burned white-hot between their lips. Too soon the song ends and we who were so in phase one moment suddenly falter and break apart, drifting. Someone though, stays close and touches me fleetingly on the shoulder; feather fingers barely grazing my skin.
"Take your baby by the hair
And pull her close and there there there"
Her fingers flip the hair away from my face and I glimpse her face too - mottled and striped by the pinwheeling lights as we stand balanced on the very brink of the dancefloor - buffeted by shoulders on all sides as the music and the dancers change once more. She is pretty. And that is enough. She leads me upstairs.
"Take your baby by the ears
And play upon her darkest fears"
Whatever it is we do in the darkness of clubs it is not real communication. Whatever it is that bridges the gap between two pairs of whetted lips in the haze it is not words. While tongues twist and vocal chords twang in throats made hoarse by smoke and shouting the real conversation is being carried out by hesitant fingers, dragged back again and again from out of the darkness to touch briefly a cheek, a shoulder at the least excuse - just to make contact. In situations like these, we never trust our eyes. They've been fooled too many times, so we lower our lids and reach out. In situations like these, we never trust our ears. They've heard too many lies, so we let the words wash over us and reach out. In situations like these, only touch is real so we reach out and hope to feel love, however fleeting, however brief, beneath our fingertips.
"And you need her and she needs you
And you need her and she needs you"
Labels:
fiction
Silence in Cacophony
It is a great pity that silence is not a tangible thing, rather than simply an absence. Imagine silence bottled, powdered, weaponized. Imagine riot-police hurling quiet-bombs at political rallies. Imagine immensely silent football matches, after mutually-assured-dumbness exchanges across the terraces by rival fans. Open-mouths endlessly filled with completely soundless curses; bruised lips stretched and tongues tie-twisted around syllables of taunt and chant. World-cup penalty shoot-outs acomplished in a divinely perfect hush.
I am a father, a husband and a teacher. Perhaps I value peace more than many.
I remember once, very early in my life here in Turkey, when I could neither speak nor understand the language, walking down the main shopping street near where I lived. It was possibly the first time I had dared to venture out alone. I remember the faces swarming around me, all human of course, but at the same time all subtley... different. The swells of brow and juts of bone; the curves of cheek and snarls of lip, all slightly alien, just enough to intermittently catch and fascinate the eye. It was like seeing all over again - a strange feeling when you sense your own thoughts quietly adjusting themselves within your skull: to feel them slip and slide like a knot of mating snakes across and around and over eachother as they expand to encompass the newness leaking in through your eyes.
The street was wide and crowded: streams of people all side-stepping and shoving and swerving; head-down and hell-bent; sniffing produce and price with equal fervour; a forest of elbows and knees and handbags and piled-high hand-carts. Little boys tanned deep brown in the sun darting like fishes in and out of the tea-shops with tiny glasses balanced on trays, or warm rings of sesame-bread piled high on their heads. It was noisy, loud like a packed theatre before curtain-rise is loud - hundreds of shuffling feet, coughs, conversational snippets just too juicy to wait, the crunch and crinkle of packets of sweets wrenched open, exhalations, exclaimations, sweat, meat-smell. People.
I walked open toed in brown leather and blue-jeans, long haired amongst the head-scarves, stared at, chuckled over, remarkable and remarked about. As I moved through them, the crowd opened and closed ahead and behind me like some living thing, cautious of this foreign body in its midst. I was acutely aware of how alone I was, how devoid of connection. It was like floating in a warm sea, with nothing but sky all around.
Of course the din was still incredible, both audio and visual (for every building was draped in signs declaring in a riotous confusion of font, colour and style what I could only assume were services and shops), rolling over my senses in great atonal waves. The sheer volume of chatter, street-barker patter, inquiry and retort would have been overwhelming had it been in English, but as it was in colloquial Turkish, and as such completely unintelligible to my foreigner's ear, it became as music, not soothing exactly but not drawing my attention either. And so I felt its buzzing pass, thrumming through my chest, felt the thrill of it in the lamp-posts as I leant against them - the only permanence in a moving world.
Alone and uncomprehending I was at perfect rest amongst a thousand people.
I think of this time when sometimes the baby cries once too often in the night, or my students grow overly restless in the Summer heat. I think of that place, that instant, when I found utter solitude in its absence, and a perfect silence within its total lack.
...Continued...
I am a father, a husband and a teacher. Perhaps I value peace more than many.
I remember once, very early in my life here in Turkey, when I could neither speak nor understand the language, walking down the main shopping street near where I lived. It was possibly the first time I had dared to venture out alone. I remember the faces swarming around me, all human of course, but at the same time all subtley... different. The swells of brow and juts of bone; the curves of cheek and snarls of lip, all slightly alien, just enough to intermittently catch and fascinate the eye. It was like seeing all over again - a strange feeling when you sense your own thoughts quietly adjusting themselves within your skull: to feel them slip and slide like a knot of mating snakes across and around and over eachother as they expand to encompass the newness leaking in through your eyes.
The street was wide and crowded: streams of people all side-stepping and shoving and swerving; head-down and hell-bent; sniffing produce and price with equal fervour; a forest of elbows and knees and handbags and piled-high hand-carts. Little boys tanned deep brown in the sun darting like fishes in and out of the tea-shops with tiny glasses balanced on trays, or warm rings of sesame-bread piled high on their heads. It was noisy, loud like a packed theatre before curtain-rise is loud - hundreds of shuffling feet, coughs, conversational snippets just too juicy to wait, the crunch and crinkle of packets of sweets wrenched open, exhalations, exclaimations, sweat, meat-smell. People.
I walked open toed in brown leather and blue-jeans, long haired amongst the head-scarves, stared at, chuckled over, remarkable and remarked about. As I moved through them, the crowd opened and closed ahead and behind me like some living thing, cautious of this foreign body in its midst. I was acutely aware of how alone I was, how devoid of connection. It was like floating in a warm sea, with nothing but sky all around.
Of course the din was still incredible, both audio and visual (for every building was draped in signs declaring in a riotous confusion of font, colour and style what I could only assume were services and shops), rolling over my senses in great atonal waves. The sheer volume of chatter, street-barker patter, inquiry and retort would have been overwhelming had it been in English, but as it was in colloquial Turkish, and as such completely unintelligible to my foreigner's ear, it became as music, not soothing exactly but not drawing my attention either. And so I felt its buzzing pass, thrumming through my chest, felt the thrill of it in the lamp-posts as I leant against them - the only permanence in a moving world.
Alone and uncomprehending I was at perfect rest amongst a thousand people.
I think of this time when sometimes the baby cries once too often in the night, or my students grow overly restless in the Summer heat. I think of that place, that instant, when I found utter solitude in its absence, and a perfect silence within its total lack.
Labels:
fiction