Friday, July 16, 2010

Vunerabilities to Conceptual Disease.

Just as our bodies are suceptable to the attacks of germs and viruses, and our computers prone to their cyberspace equivalents, so too are our minds and societies open to infection by conceptual diseases.

Vunerabilities.

1) Cause and Effectitus:

We are very suceptable to 'miracle syndrome' because of an ability unique to humans (and to a lesser degree, the higher animals) the ability to link events occurring within close spacial and/or temporal proximity to each other into webs of cause and effect. We see a flash, then hear a bang, and automatically link them into a sequence - if this, then that - tenuously at first, but more and more firmly with each repetition. Trouble is, because this system is largely subconscious (dopamine neurones) and therefore not reflexively 'rational' it is very prone to being conned. The system also has another glitch, it operates on a sliding scale - in which the number of observed repetitions can be substituted by size of payoff, especially if that payoff is unexpected.

ie: if percieved event X occurs followed closely by event Y, but doesn't actually have any particular direct effect (good or bad) on the perciever, then let's say it will take arbitrarily 50 such observences of the sequence for it to become 'learned'. This kind of situation describes 'background' events and leads to stuff like 'red sky at night, shepherd's delight.' Something useful pretty much only to the herders of sheep.

However, if event A occurs, followed closely by event B, but this time acompanied by direct payoff/detriment C, the learning curve, depending on the size of the effect involved, is cut down to fewer and fewer repetitions. Imagine something stupid, like a clown with a pair of cymbals. He clashes them together, and, undetected by you, his assistant zaps you with 1000 volts, right in the butt. How many times do you think it would take you to form an unconscious aversion to clowns armed with cymbals..?

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Thursday, June 17, 2010

The Rose.

Deep inside I wear with pride
a rose I cut and set aside,
For a pretty girl, a cunning daughter,
(a match for any man that sought her).

Upon that day I put away
a glay-zed cup I'd made from clay,
To hold the sweat of fevered skin
and catch the dew of infant grin.

In her sleep a promise keep:
(steal a glance both long and deep)
writhe and shudder in shrouded dream
a hand on hand to quell the scream.

And when she leaves to build a place
away from paltry parents grace
grown and gone, her young mind certain
across my doubts to draw a curtain.

Deep inside I wear with pride
a rose I cut and set aside,
For a pretty girl, a cunning daughter,
(a match for any man that sought her).

For my pesky little daughter.

Jacuzzi Anyone..?

Soapy soapy
psychotropy
rubber ducks
and no more mopey
faces on a clouded day
bathe to wash the blues away
scrub scrub
rub a dub
loofer scrape
and fill the tub
with hot water to the brim
(file'ya toenails - trim'ya quim)
gurgle gurgle
gone away
no more soapy suds today
out you get all pink and rosy
into towel deep and cosy.

Sunday, March 07, 2010

Born Un-Special

“To really understand another culture, to really understand a country, you have to be born there.”

This kinda talk really bites my ass. I've lived in Turkey now for 15 years and I get it. I didn't use to get it, but now I do. Nearly all of it. And next year, it'll be nearly-nearly all of it. You don't have to be 'born' anything. Human is human is human. We all think about the same shit, and say the same shit. When I didn't speak or understand Turkish very well, I would wander about thinking "Ooh everyone is saying very deep clever stuff, and I'm a doofus because I can't understand it." Then when I could understand, I understood that they had just been talking about tits the whole time.

Of course they'd made the same mistake with me, except I talk a lot more with my hands, so they twigged I was just talking about tits much sooner.

There is no such thing as a concept that cannot be transmitted cross-culture. (Arrgh, double-negative).

Same with the whole "It's an art, you’ve either got it or you haven’t.” schtick. It's not. Even art isn't an art.

There is no behaviour or technique that cannot be replicated by another. (Arrgh, another double negative).

The position of "X is an art - you've either got it or you haven't" is damaging I feel because of the implications. Basically - it implies not only that it's an either/or situation with no middle ground, but also - if you haven't got it - you never will. A - "Hey you, you ain't no Mozart, so drop the violin, back away. Abandon all hope n00b" - kinda feel. It imposes a static view of individuality upon humanity by making the property of 'having it' or 'not having it' innate and immutable.

When you expand this view you get a rather bleak picture of the world.

...Continued...