Been giving myself small nightmares again today in the breaks between lessons. I read too much.
Okay anyway, the resource curse. My favourite thing. Africa. Oil, diamonds etc. For a state to have too much of something is bad because it totally fucks the social contract. Why..?
Very simply (and I'm sure you'll forgive me if I'm missing something, or over-simplifying) the populace needs the machinery of the state and its various institutions for (a) defence, and a close second, (b) a stable, and above all predictable, social enviroment within which to prosper and multiply. In turn the state relies, all other things being equal, on its populace for revenue in the form of taxes or whatever, and soldiers.
However, money buys a lot of stuff. And if African Despot X has oil ie. money in abundance - he/she no longer has to depend on his/her populace for income, and since mercenaries abound within Africa, no need for homegrown soldiers either. The market for his/her oil is outsourced also, so he/she doesn't need his/her populace even as customers. The contract is broken, and to ADX, the populace becomes at best a hindrance and at worst a threat, to be subjugated/negated/controlled by fair means or (more usually) foul.
But who cares right..? We're only talking about a bunch of spear-chucker countries in the boonies, and whatever human collateral damage occurs only effects the headlines. Nuffin' to do with us.
Well, what if, now, in the developed West, a new form of resource curse is in operation..?
Wednesday, October 19, 2011
Thursday, June 30, 2011
Body Language
The following is a summation of body language and physical tells based on the book "What Everybody is Saying" by Joe Navarro. I spent a couple of days people-watching recently and, when you know what to look for, it becomes blindingly obvious how people are feeling about each other.
General Principles:
Feet: Your feet, being most likely a metre or two away from where the lying and deceiving gets done, often get left out when we are trying to pull one over on someone. This makes them useful indicators of real intent - and when you are talking with someone it's worth staging your chat in some place where you can see their whole body - desks are a hindrance, as are huge flared trousers I suppose. Here's what to watch for:
* Generally bouncy feet (and legs) are a positive reaction to good news. If the movement suddenly stops - it means something has stressed/disturbed that person.
* If it changes to a larger movement, involving the shin - more of a kicking than a bouncing - this indicates stress, as does a strict vertical up-down movement of the foot.
* Careful of (a) jittery (restless) leg syndrome - which is a medical condition - And (b) twitchy legs/feet which can indicate impatience depending on the context. Changes in the nature of the movements are what you should watch for.
*Watch where people's feet are pointing, because they usually indicate what that person's thinking about. If, when in conversation, one or both of someone's feet point away from you, or toward an exit, it means they wish to break off that conversation, or are uncomfortable or distracted. Watch for changes, if the they re-orientate on you, you have successfully re-captured their whole attention.
*If someone's feet cross at the ankle (when standing) it indicates that they are very comfortable. Crossed ankles put people off-balance slightly, and necessitates their standing on one leg - which means they have no thoughts of escape and feel totally unthreatened.
*In the opposite case, not only will someone's feet point away from you, but may start to twitch - "runners feet" - as if they are about to race away.
*If a foot rises and starts pointing at the ceiling - that person is happy. In fact any movement of the body, or part of the body, which seems to defy gravity is a sign of comfort, happiness and positivity.
* General stance: People occupy more or less space depending on how they are feeling. Standing or sitting, if they spread out, generally they are feeling either comfortable and in control, or in the extreme, agressive - particularly the standing leg splay if accompanied by nostril flare (oxygenating ready for action). If however they draw in their limbs, but retain balance (no ankle crossing - see above), it usually means they are feeling a little stressed or threatened.
* Crossed legs: All other things being equal, people have a natural sitting position. So crossed legs alone have no meaning. We're watching for changes. Usually people who like each other will lean toward each other and cross their legs toward each other. A sudden lean back, or a switch of legs means something negative has happened. Or cramp perhaps. A leg pulled up to form a barrier (see left in pic) especially with a double hand clamp on the knees means the person is feeling threatened.
* Leg Clense: This is when someone rubs the palms of their hands over their knees and thighs. This is a pacifying gesture, self-calming, and means that person has undergone stress, or is unhappy with something that has occurred.
* Knee-Clasp and Starter's-Position. These are the same thing. If sitting, the person's legs part, their weight shifts forward and they put their hands on their knees - this means they want to leave. If standing, again their weight shifts, their balance changes and their knees flex slightly - as if they were unconsciously getting ready to spring from the starter's blocks - and they are - they want to leave.
* Gait: People walking without purpose generally dawdle, and look around. People who are late, are going somewhere, or thinking intensely about what they'll do when they get there, walk faster, straighter and usually look fixedly ahead. Watch for people who suddenly change gaits, or vector toward a target.
Torso: The torso is the largest mass of the body, requiring a lot of energy to move - so although we move it less than any other area of the body, when we do move it - it means something.The torso is also where we do most of our most prominent clothing displays - anything from low-cut dresses to stupid tee-shirt logos - don't be afraid to judge books by their covers; people's choices of clothing with regard to the situations they know they will face does give away useful information about their state of mind.
* Shielding: The torso is full of important stuff like hearts and lungs etc. So when we feel threatened we try to cover them. We hunch over, throw our shoulders forwards, pull our chins down, like turtles. We cross our arms. Watch for how rigid a grip people are using when they cross their arms. Are they relaxed, or are they hugging themselves for reassurance..? Do they have a deathlock on each elbow..? Are they stressed..? Watch for changes.
Not all shielding behaviour is so obvious. Any movement in which the arms or hands cross the chest - a man playing with his watch, a woman touching her necklace, or covering the hollow of her throat where a necklace would be, someone claspping an object - briefcase, clipboard - to their chests - are good indicators that what they are hearing or seeing is stressing them somehow. Sometimes a person will unconsciously place objects to form a 'wall' between themselves and the person who is stressing them.
Conversely, revealing the chest, even rolling up your sleeves or undoing your top button, are indicators of comfort, as is removing items between yourself and another so you can see them better.
* General posture: People generally lean toward things they like, or are comfortable with, and lean away, or turn away, from things they are threatened by, or dislike. Check which direction people's torsos are facing with regard to the person or object they are confronted with, or if they suddenly swivel their torsos away from something. Sometimes in societies or situations in which require great deference/submission to someone people will remain facing them even as they leave - backing out of a room, or bowing to complet a classic Eastern kow-tow.
* Blood and Breathing. If someone's breathing alters, or they blush or become pale, it tells you a great deal. Pallor is a fear/stress response, conserving blood in the organs, taking it away from the skin. Shallow or quiet breathing is also a freeze response - hiding the noise.
A red face, or a blooming of the skin in general means comfort, and sometimes aggression/attraction. Flared nostrils and heightened levels of breathing means someone's getting ready for action. Look for context, and body stance.
Arms and Hands: When it comes to the rest of the body - the head and upper limbs - we are getting onto stickier ground. We have more conscious control over our faces, hands and arms than we do over the rest of our bodies. So when watching the arms, and in particular the hands - (to which we do automatically allocate a portion of our brains to watching when we talk with people) it's worth looking for clusters of movements rather than a single (perhaps deceptive) gesture.
Arms: More honest than the hands, look first for surface information - tattoos or their remnants, and at the extreme end of the scale - the crosshatched scars of a BP self-mutilator.
* Loose arms and outward palms: "Look I'm unarmed" - means the person is welcoming, comfortable and often is the preliminary movement of a hug.
* If the shoulders also raise in the classic shrug alongside the above, it's an honest shrug - the person indicating that they honestly do not know, that they aren't hiding anything. However, if only one shoulder is raised - a half-shrug - chances are that it's dishonest, done for niceties sake at best, or that the person is concealing something.
*Arm-touching: If you want to reassure someone, or just make sure you've got their attention, then right upper arm is the way to go. Also people are more suggestable if you are speaking into thier right ear. (The situation may be reversed for lefties). An arm touch is mainly a "hey we're okay" statement on the part of the toucher.
*Arm posture: As always - upward, bouncy motions of the arms indicate positivity, happiness, and droopy, slow arms mean the person is tired or sad, especially if the shoulders are also down and/or hunched. Warding gestures (variations of a policeman's classic "halt" gesture) are an attempt to distance yourself from something distasteful or stressful. Outstretched arms - the hug invitation - are only honest if the elbows are locked and the arms at full stretch, bent elbows mean the invitationis only half-hearted/dutiful.
*Folded Arms: (covered above - shielding) if restrictive - ie. tightly held, indicates the person is holding themselves back - stressed - or perhaps self-pacifying. The same with a tightly held bag cradled in both arms/hands. Not happy signs.
*The Prison-Walk: Both hands locked behind back. Depending on context it is either a pensive walk - someone thinking intently - or a passive/aggressive "I don't like you/I don't like it here" - basically it means "Don't touch me." A withdrawal of hug-possibility. Lol.
*Arm-splay: Whether gripping a desk or table, spreading out on the sofa or doing the classic 'cobra-hood' in the boardroom - any territory-capturing behaviour means the person is relaxed and happy, confident, and sometimes, if done in circumstances which do not warrent that level of informality, aggressive and insulting.
Hands: Our hands, second only to the face, are the most expressive. We pay so much attention to them that people automatically distrust those who hide their hands when they are speaking. Lawyers specifically warn both witnesses and the accused to keep their hands visible to the jury whilst giving testimony. They are also not always to be trusted, as many people who are practiced in public speaking are trained to use hand gestures to emphasize and support their rehtoric.
*Thumbs: In the classic Superman pose, watch the thumbs. If they are forward, then the person is feeling argumentative (as well as making a territory display). If they are backwards, behind the body, then the position is fairly neutral.
*Thumbs up/down/visible/concealed: In general, thumb position is a good indicator of how confident a person is about whatever is happening. People who stick their thumbs in their pockets display less confidence than those who put their hands in, and leave their thumbs stuck out. If in conversation the thumbs stick up, then that person is confident about what they are saying, if they suddenly go down, or hide themselves, then that person is no longer confident.
*Handshakes: Typical handshakes vary between cultures in strength and duration, and even how many hands are used to shake with. Some cultures hug briefly, or kiss cheeks as well and grasp hands. Some cultures continue to hold hands as they converse. If however their is no cultural difference between you and the person you're shaking with, and you feel uncomfortable with their handshake - it's a bone-crusher, very weak, they touch the inside of your wrist, try to manoever your hand so theirs is on top, or do the politician's double-cup (if they are not politicians) then somethng is wrong, either that person is an asshole, or they think you are.
*Sweaty Palms: A sweaty palm does not mean that person is lying. There's a chance they have a medical or genetic condition (5%) or simply that they are nervous, or stressed. A better indicator of lying hands are ones that seem strangely still, or if the person restrains their hands - by sticking them out of sight, under their armpits, or rigidly folding their arms.
*Steepling: Steepled fingers are a very dramatic sign of confidence - used by lawyers and politicians. If they suddenly collapse into the finger-interlocked 'praying' position, then that confidence and positivity has also collapsed. Watch thumbs also, their up/down position provides commentary while the fingers hold either position.
*Rude gestures: Pointing at someone, though not obviously insulting, is always interpreted as rude, and threatening. Someone can also secretly give you the finger by pushing up their glasses with their middle finger. The UK varient is two fingers - the victory sign reversed. Many cultural varients exist. The fingers and hands may also take up a 'strangling' position, though this is often a micro gesture, only held for an instant.
*Trembling/quivering hands. Often very obvious if someones holding a cigarette or pencil. Trembling is symptomatic of age, alcoholism, or too much caffeine. Depending on context it also shows excitement or nervousness.
*Preening: Knocking lint off your shoulder, raking your hands through your hair another preening activeties are normal between courting/loving couples, but show nervousness if done repeatedly in everyday conversation. They are also a form of ignoral/dismissive behaviour if the person doing them is obviously otherwise confident.
*Hand-wringing/plam rubbing: Clutched hands with white knuckles demonstrate pleading, low confidence. If someone begines to rub their plams with the fingers of their other hand, it is a pacifying movement, indicating stress. Touching/rubbing the neck anywhere with the hands or fingers is also a pacifyer, displaying low confidence.
*In general: Watch for micro-gestures of the hands - these are very truthful - very quick hand displays. Watch for hand extention and withdrawal - like the feet, they inicate comfort/positivity - extended = happy; withdrawn = unhappy. Watch also for absences. When someone is telling the truth, they emphasize it with their hands naturally. If someone's lying, their hands are much less emphatic, strangely stilled, as though the rational (deceptive) brain 'believes' what they are saying, the limbic 'body-brain' does not.
Face: Though the face is the most expressive area of the body, it is also the most deceptive, and should always be taken seriously only in conjunction with the rest of the body. If the face is saying yes, and the body is saying no, then it's no. We are all experts on facial expression, unless someone is autistic or otherwise face-blind. In general, if the face is sending mixed signals, or incomplete expressions - the mouth smile without smiling eyes for example - then believe the negative interpretation.
*Eye-Guarding. Because the eyes are vunerable we unconsciously (usually) guard them from harm - not really recognizing the difference between physical or mental harm. Squinting, lowered brows, pupils contracting, touching or blocking the eyes with fingers or hands, all mean the person has experienced a negative/stress-response to the subject at hand - be it a person, an object or something said. The reverse, positive reaction, is flashbulb eyes, widened pupils, brows raised.
*Eyelid flutter: Usually the person is internally conflicted, struggling for words. Licked lips is also another "I'm considering my options" expression. If the tongue comes out momentarily, that person thinks they've made a mistake, or given something away.
*Compressed lips/puckered lips: Much like eyes, our lips attempt to seal themselves when we are presented with something we don't like. (All of these behaviours are very infantile - "I'm not eating that", "I don't want to look at that") Thinned lips mean disagreement, pursed lips, disapproval. Disgust/contempt exaggerates the pursed lips into a sneer, and sometimes are accompanied by eye-rolling or looking pointedly away.
*Nodding, Shaking, tilting. We often nod or shake our heads to emphasize what we say. Watch for people whose body language and speech are out of sync - a nod with a no etc. If someone tilts their head up, they are displaying confidence, if down, low confidence. If someone tilts their head to the side, they are comfortable with someone or a situation.
Finally: Don't expect to become expert overnight, best to find somewhere public, where you can watch a lot of people full-body, talking and interacting - and watch. When you get into the habit of listening to people with half an ear on what they say, and two eyes on what their body is telling, thn you've cracked it.
General Principles:
- The 'honesty' of the body increases with the distance from the head - making the feet the most reliable of tells.
- Before trying to read someone's intent or disposition, you should first establish what that person's baseline is - what position they normally adopt. You then observe them carefully for sudden changes away from that norm.
- Basing a reading on a single tell is dubious at best, you are looking for clusters of behaviours, sequences of or repeated actions.
- Remember to consider the general context of the situation - how much stress is 'normal' - what actions are simply the result of the space which you/they are occupying..?
- Freeze, flight, fight. Stress reactions usually follow this sequence. You are looking sometimes for sudden absences of movement as well as everything else. Children for example, usually freeze, or become subdued, body-language-wise, in front of people or things they are scared of, or feel unhappy with.
Basic Types:
- Upward movements indicate positivity or happiness.
- Downward movements indicate negative reactions, disapointment.
- Outward movements, or exposing of chest and abdomen (ventral) express confidence, amiability.
- Inward, or self-restrictive movements, or covering of chest and abdomen (shielding) indicate stress.
- Leaning toward something, or leaning away (plus general proximity overall) indicates the degree of comfort felt concerning that object or person.
- Sudden stillness and shallow (quiet) breathing is a tell of fear and stress.
- Mirroring. When two people begin to mirror or copy each other's movements and postures, this means they are getting on. It also sometimes means that the instigator of the subsequently copied movements by others is the top dog, dominating the situation.
Feet: Your feet, being most likely a metre or two away from where the lying and deceiving gets done, often get left out when we are trying to pull one over on someone. This makes them useful indicators of real intent - and when you are talking with someone it's worth staging your chat in some place where you can see their whole body - desks are a hindrance, as are huge flared trousers I suppose. Here's what to watch for:
* Generally bouncy feet (and legs) are a positive reaction to good news. If the movement suddenly stops - it means something has stressed/disturbed that person.
* If it changes to a larger movement, involving the shin - more of a kicking than a bouncing - this indicates stress, as does a strict vertical up-down movement of the foot.
* Careful of (a) jittery (restless) leg syndrome - which is a medical condition - And (b) twitchy legs/feet which can indicate impatience depending on the context. Changes in the nature of the movements are what you should watch for.
*Shoe play (female) usually means comfort, or that she likes whomever she's with - also watch for feet being extended toward, or pulled back from someone - this is a good indicator of how comfortable someone is with that person.
*If the feet pull right back under the chair, and cross at the ankles for extended periods, then that person is vey uncomfortable, and feeling threatened. Sometime the feet will also lock themselves around the legs of the chair.
*If someone's feet cross at the ankle (when standing) it indicates that they are very comfortable. Crossed ankles put people off-balance slightly, and necessitates their standing on one leg - which means they have no thoughts of escape and feel totally unthreatened.
*In the opposite case, not only will someone's feet point away from you, but may start to twitch - "runners feet" - as if they are about to race away.
*If a foot rises and starts pointing at the ceiling - that person is happy. In fact any movement of the body, or part of the body, which seems to defy gravity is a sign of comfort, happiness and positivity.
* General stance: People occupy more or less space depending on how they are feeling. Standing or sitting, if they spread out, generally they are feeling either comfortable and in control, or in the extreme, agressive - particularly the standing leg splay if accompanied by nostril flare (oxygenating ready for action). If however they draw in their limbs, but retain balance (no ankle crossing - see above), it usually means they are feeling a little stressed or threatened.
* Crossed legs: All other things being equal, people have a natural sitting position. So crossed legs alone have no meaning. We're watching for changes. Usually people who like each other will lean toward each other and cross their legs toward each other. A sudden lean back, or a switch of legs means something negative has happened. Or cramp perhaps. A leg pulled up to form a barrier (see left in pic) especially with a double hand clamp on the knees means the person is feeling threatened.
* Leg Clense: This is when someone rubs the palms of their hands over their knees and thighs. This is a pacifying gesture, self-calming, and means that person has undergone stress, or is unhappy with something that has occurred.
* Knee-Clasp and Starter's-Position. These are the same thing. If sitting, the person's legs part, their weight shifts forward and they put their hands on their knees - this means they want to leave. If standing, again their weight shifts, their balance changes and their knees flex slightly - as if they were unconsciously getting ready to spring from the starter's blocks - and they are - they want to leave.
* Gait: People walking without purpose generally dawdle, and look around. People who are late, are going somewhere, or thinking intensely about what they'll do when they get there, walk faster, straighter and usually look fixedly ahead. Watch for people who suddenly change gaits, or vector toward a target.
Torso: The torso is the largest mass of the body, requiring a lot of energy to move - so although we move it less than any other area of the body, when we do move it - it means something.The torso is also where we do most of our most prominent clothing displays - anything from low-cut dresses to stupid tee-shirt logos - don't be afraid to judge books by their covers; people's choices of clothing with regard to the situations they know they will face does give away useful information about their state of mind.
* Shielding: The torso is full of important stuff like hearts and lungs etc. So when we feel threatened we try to cover them. We hunch over, throw our shoulders forwards, pull our chins down, like turtles. We cross our arms. Watch for how rigid a grip people are using when they cross their arms. Are they relaxed, or are they hugging themselves for reassurance..? Do they have a deathlock on each elbow..? Are they stressed..? Watch for changes.
Not all shielding behaviour is so obvious. Any movement in which the arms or hands cross the chest - a man playing with his watch, a woman touching her necklace, or covering the hollow of her throat where a necklace would be, someone claspping an object - briefcase, clipboard - to their chests - are good indicators that what they are hearing or seeing is stressing them somehow. Sometimes a person will unconsciously place objects to form a 'wall' between themselves and the person who is stressing them.
Conversely, revealing the chest, even rolling up your sleeves or undoing your top button, are indicators of comfort, as is removing items between yourself and another so you can see them better.
* General posture: People generally lean toward things they like, or are comfortable with, and lean away, or turn away, from things they are threatened by, or dislike. Check which direction people's torsos are facing with regard to the person or object they are confronted with, or if they suddenly swivel their torsos away from something. Sometimes in societies or situations in which require great deference/submission to someone people will remain facing them even as they leave - backing out of a room, or bowing to complet a classic Eastern kow-tow.
* Blood and Breathing. If someone's breathing alters, or they blush or become pale, it tells you a great deal. Pallor is a fear/stress response, conserving blood in the organs, taking it away from the skin. Shallow or quiet breathing is also a freeze response - hiding the noise.
A red face, or a blooming of the skin in general means comfort, and sometimes aggression/attraction. Flared nostrils and heightened levels of breathing means someone's getting ready for action. Look for context, and body stance.
Arms and Hands: When it comes to the rest of the body - the head and upper limbs - we are getting onto stickier ground. We have more conscious control over our faces, hands and arms than we do over the rest of our bodies. So when watching the arms, and in particular the hands - (to which we do automatically allocate a portion of our brains to watching when we talk with people) it's worth looking for clusters of movements rather than a single (perhaps deceptive) gesture.
Arms: More honest than the hands, look first for surface information - tattoos or their remnants, and at the extreme end of the scale - the crosshatched scars of a BP self-mutilator.
* Loose arms and outward palms: "Look I'm unarmed" - means the person is welcoming, comfortable and often is the preliminary movement of a hug.
* If the shoulders also raise in the classic shrug alongside the above, it's an honest shrug - the person indicating that they honestly do not know, that they aren't hiding anything. However, if only one shoulder is raised - a half-shrug - chances are that it's dishonest, done for niceties sake at best, or that the person is concealing something.
*Arm-touching: If you want to reassure someone, or just make sure you've got their attention, then right upper arm is the way to go. Also people are more suggestable if you are speaking into thier right ear. (The situation may be reversed for lefties). An arm touch is mainly a "hey we're okay" statement on the part of the toucher.
*Arm posture: As always - upward, bouncy motions of the arms indicate positivity, happiness, and droopy, slow arms mean the person is tired or sad, especially if the shoulders are also down and/or hunched. Warding gestures (variations of a policeman's classic "halt" gesture) are an attempt to distance yourself from something distasteful or stressful. Outstretched arms - the hug invitation - are only honest if the elbows are locked and the arms at full stretch, bent elbows mean the invitationis only half-hearted/dutiful.
*Folded Arms: (covered above - shielding) if restrictive - ie. tightly held, indicates the person is holding themselves back - stressed - or perhaps self-pacifying. The same with a tightly held bag cradled in both arms/hands. Not happy signs.
*The Prison-Walk: Both hands locked behind back. Depending on context it is either a pensive walk - someone thinking intently - or a passive/aggressive "I don't like you/I don't like it here" - basically it means "Don't touch me." A withdrawal of hug-possibility. Lol.
*Arm-splay: Whether gripping a desk or table, spreading out on the sofa or doing the classic 'cobra-hood' in the boardroom - any territory-capturing behaviour means the person is relaxed and happy, confident, and sometimes, if done in circumstances which do not warrent that level of informality, aggressive and insulting.
Hands: Our hands, second only to the face, are the most expressive. We pay so much attention to them that people automatically distrust those who hide their hands when they are speaking. Lawyers specifically warn both witnesses and the accused to keep their hands visible to the jury whilst giving testimony. They are also not always to be trusted, as many people who are practiced in public speaking are trained to use hand gestures to emphasize and support their rehtoric.
*Thumbs: In the classic Superman pose, watch the thumbs. If they are forward, then the person is feeling argumentative (as well as making a territory display). If they are backwards, behind the body, then the position is fairly neutral.
*Thumbs up/down/visible/concealed: In general, thumb position is a good indicator of how confident a person is about whatever is happening. People who stick their thumbs in their pockets display less confidence than those who put their hands in, and leave their thumbs stuck out. If in conversation the thumbs stick up, then that person is confident about what they are saying, if they suddenly go down, or hide themselves, then that person is no longer confident.
*Handshakes: Typical handshakes vary between cultures in strength and duration, and even how many hands are used to shake with. Some cultures hug briefly, or kiss cheeks as well and grasp hands. Some cultures continue to hold hands as they converse. If however their is no cultural difference between you and the person you're shaking with, and you feel uncomfortable with their handshake - it's a bone-crusher, very weak, they touch the inside of your wrist, try to manoever your hand so theirs is on top, or do the politician's double-cup (if they are not politicians) then somethng is wrong, either that person is an asshole, or they think you are.
*Sweaty Palms: A sweaty palm does not mean that person is lying. There's a chance they have a medical or genetic condition (5%) or simply that they are nervous, or stressed. A better indicator of lying hands are ones that seem strangely still, or if the person restrains their hands - by sticking them out of sight, under their armpits, or rigidly folding their arms.
*Steepling: Steepled fingers are a very dramatic sign of confidence - used by lawyers and politicians. If they suddenly collapse into the finger-interlocked 'praying' position, then that confidence and positivity has also collapsed. Watch thumbs also, their up/down position provides commentary while the fingers hold either position.
*Rude gestures: Pointing at someone, though not obviously insulting, is always interpreted as rude, and threatening. Someone can also secretly give you the finger by pushing up their glasses with their middle finger. The UK varient is two fingers - the victory sign reversed. Many cultural varients exist. The fingers and hands may also take up a 'strangling' position, though this is often a micro gesture, only held for an instant.
*Trembling/quivering hands. Often very obvious if someones holding a cigarette or pencil. Trembling is symptomatic of age, alcoholism, or too much caffeine. Depending on context it also shows excitement or nervousness.
*Preening: Knocking lint off your shoulder, raking your hands through your hair another preening activeties are normal between courting/loving couples, but show nervousness if done repeatedly in everyday conversation. They are also a form of ignoral/dismissive behaviour if the person doing them is obviously otherwise confident.
*Hand-wringing/plam rubbing: Clutched hands with white knuckles demonstrate pleading, low confidence. If someone begines to rub their plams with the fingers of their other hand, it is a pacifying movement, indicating stress. Touching/rubbing the neck anywhere with the hands or fingers is also a pacifyer, displaying low confidence.
*In general: Watch for micro-gestures of the hands - these are very truthful - very quick hand displays. Watch for hand extention and withdrawal - like the feet, they inicate comfort/positivity - extended = happy; withdrawn = unhappy. Watch also for absences. When someone is telling the truth, they emphasize it with their hands naturally. If someone's lying, their hands are much less emphatic, strangely stilled, as though the rational (deceptive) brain 'believes' what they are saying, the limbic 'body-brain' does not.
Face: Though the face is the most expressive area of the body, it is also the most deceptive, and should always be taken seriously only in conjunction with the rest of the body. If the face is saying yes, and the body is saying no, then it's no. We are all experts on facial expression, unless someone is autistic or otherwise face-blind. In general, if the face is sending mixed signals, or incomplete expressions - the mouth smile without smiling eyes for example - then believe the negative interpretation.
*Eye-Guarding. Because the eyes are vunerable we unconsciously (usually) guard them from harm - not really recognizing the difference between physical or mental harm. Squinting, lowered brows, pupils contracting, touching or blocking the eyes with fingers or hands, all mean the person has experienced a negative/stress-response to the subject at hand - be it a person, an object or something said. The reverse, positive reaction, is flashbulb eyes, widened pupils, brows raised.
*Eyelid flutter: Usually the person is internally conflicted, struggling for words. Licked lips is also another "I'm considering my options" expression. If the tongue comes out momentarily, that person thinks they've made a mistake, or given something away.
*Compressed lips/puckered lips: Much like eyes, our lips attempt to seal themselves when we are presented with something we don't like. (All of these behaviours are very infantile - "I'm not eating that", "I don't want to look at that") Thinned lips mean disagreement, pursed lips, disapproval. Disgust/contempt exaggerates the pursed lips into a sneer, and sometimes are accompanied by eye-rolling or looking pointedly away.
*Nodding, Shaking, tilting. We often nod or shake our heads to emphasize what we say. Watch for people whose body language and speech are out of sync - a nod with a no etc. If someone tilts their head up, they are displaying confidence, if down, low confidence. If someone tilts their head to the side, they are comfortable with someone or a situation.
Finally: Don't expect to become expert overnight, best to find somewhere public, where you can watch a lot of people full-body, talking and interacting - and watch. When you get into the habit of listening to people with half an ear on what they say, and two eyes on what their body is telling, thn you've cracked it.
Labels:
books,
social commentary
Thursday, June 16, 2011
First Principles of Inevitabilism.
Having posted under the tag of inevitabilism before, but not having really explained what the hell the concept means at any length, I thought I'd better remedy the situation. To begin with, it doesn't discount free-will. For two reasons, one rather long, the other quite short.
http://writeitorbust.blogspot.com/2010/02/indeterminacy-of-will.html
That was quicker than you expected huh..? Anyway, to cut that very long blog-post down to the basics, quantum indeterminacy, coupled with the *possiblity* of quantum-event-sensitive brain-state criticalities... Allows me to believe there is an empiric case for free-will, or at least true novelty in decision-making.
We feel as if we live our lives with the option of choice. We experience freedom when choosing, we feel as if we could have made a different decision at a given point in time, we experience regret and pride when remembering the things we have chosen and done. It is impossible to think the feeling of free-will away. And impossible to live without feeling/experiencing it.
To borrow a line from John Searle: Even someone absolutely convinced of determinism does not sit down at a table in a restaurant and, when the waiter comes to take his or her order, just say "My order is determined anyway, so, you know, whatever."
Regardless of the truth of the matter, a society believing, and acting upon the belief, that it possesses freedom of choice will act very differently from one that does not. The simple existence of the concept in the group mind, frivolous or real, has effect.
The long and the short of it is that although I'm a big supporter of strict cause and effect for many things, I believe that simple cause and effect alone has not brought us to the situation we find ourselves in today, there is also the unpredictability of happenstance in the purely physical world, and later the novelty of choice expressed in the world of the mind, once a sufficiently sentient breed of agents come into being. The classic chaos-theory snowball rolling downhill, tapped by the tiny finger of quantum indeterminacy early enough on in its path, will end up in a wildly different place than its utterly determined fellows. Small differences, in a system sensitive to intial conditions, will produce vast divergences in the future.
And here, considering I've just spent a paragraph or two saying "freedom of choice prevents strict cause/effect pre-determination of the future", you'd be forgiven for assuming I'm mad for trying to push an "everything is inevitable" viewpoint. But, cantankerous scum-baggery dictates I once again beg to differ.
It's a question of scale. And probability, and that some decisions are just damn better than others. Let's pause for a picture.
If you look at life in general as a series of conflicts on a population-wide scale, all occurring concurrently - maybe between individuals or groups of people, or perhaps more initially between those individuals/groups and the enviroments they occupied... Then, as illustrated above, some decisions are always better than others.
ie. Swords beat fists.
Sure, it's not impossible that the fisticuff guy could win, maybe the sword-guy has a chest cold that slows him down, maybe a cow swept up miles away by a tornado falls out of the sky with pin-point accuracy, squashing sword guy into a pulp before fisticuff guy even lands a punch. But it's dubious. In a hundred fights of a similar pairs, I think the sword guys would come out ahead - there just ain't that many tornado-cows around.
Let's ask history. http://en.wikipedia.org/wiki/Battle_of_Cajamarca
Let me expand the scale upward still further: Just follow the arrows as primitive man and woman make choices as they attempt to stay alive on their journey through the landscape of decision/solution:
Very basically, due to the principle of the "last man standing must have done something right" and despite individual free-will, the universe acts as if the future is pre-determined right from the very beginning, at least with respect to life, because *best* solutions to given situations and problems exist, eternal, outside of time.
Whoo. Cthulhu fhtagn.
invisible
Well, okay, it's not that freaky of an idea. In conclusion: let's say we're examining the past and present and trying to divine the future. Let's, for pictorial sensibilities, that the future is maybe looking kinda Barbarella-shaped.
In a determinist universe, we can look at the present, remember the past, do a few sums, and 'ping' - out pops a fully defined 60's Sci-fi queen. In a totally indeterminate (compatabilist) universe however, the present and the past are no good to predict the future, because of all the mini-mini-details/choices having such a 'huge' effect, and this snowballs - adding so much noise to the future that it becomes impossible really to see anything.
Inevitabilism is the middle path. It doesn't pretend to be completely accurate in the details, it simply looks at things on a larger scale, a scale where individual actions largely cancel out. Looks at the stage, rather than just the players, and reads the future from that.
The Long one:
http://writeitorbust.blogspot.com/2010/02/indeterminacy-of-will.html
That was quicker than you expected huh..? Anyway, to cut that very long blog-post down to the basics, quantum indeterminacy, coupled with the *possiblity* of quantum-event-sensitive brain-state criticalities... Allows me to believe there is an empiric case for free-will, or at least true novelty in decision-making.
The Short one:
We feel as if we live our lives with the option of choice. We experience freedom when choosing, we feel as if we could have made a different decision at a given point in time, we experience regret and pride when remembering the things we have chosen and done. It is impossible to think the feeling of free-will away. And impossible to live without feeling/experiencing it.
To borrow a line from John Searle: Even someone absolutely convinced of determinism does not sit down at a table in a restaurant and, when the waiter comes to take his or her order, just say "My order is determined anyway, so, you know, whatever."
Regardless of the truth of the matter, a society believing, and acting upon the belief, that it possesses freedom of choice will act very differently from one that does not. The simple existence of the concept in the group mind, frivolous or real, has effect.
The long and the short of it is that although I'm a big supporter of strict cause and effect for many things, I believe that simple cause and effect alone has not brought us to the situation we find ourselves in today, there is also the unpredictability of happenstance in the purely physical world, and later the novelty of choice expressed in the world of the mind, once a sufficiently sentient breed of agents come into being. The classic chaos-theory snowball rolling downhill, tapped by the tiny finger of quantum indeterminacy early enough on in its path, will end up in a wildly different place than its utterly determined fellows. Small differences, in a system sensitive to intial conditions, will produce vast divergences in the future.
And here, considering I've just spent a paragraph or two saying "freedom of choice prevents strict cause/effect pre-determination of the future", you'd be forgiven for assuming I'm mad for trying to push an "everything is inevitable" viewpoint. But, cantankerous scum-baggery dictates I once again beg to differ.
It's a question of scale. And probability, and that some decisions are just damn better than others. Let's pause for a picture.
If you look at life in general as a series of conflicts on a population-wide scale, all occurring concurrently - maybe between individuals or groups of people, or perhaps more initially between those individuals/groups and the enviroments they occupied... Then, as illustrated above, some decisions are always better than others.
ie. Swords beat fists.
Sure, it's not impossible that the fisticuff guy could win, maybe the sword-guy has a chest cold that slows him down, maybe a cow swept up miles away by a tornado falls out of the sky with pin-point accuracy, squashing sword guy into a pulp before fisticuff guy even lands a punch. But it's dubious. In a hundred fights of a similar pairs, I think the sword guys would come out ahead - there just ain't that many tornado-cows around.
Let's ask history. http://en.wikipedia.org/wiki/Battle_of_Cajamarca
Numbers of fighters involved:
Pizzaro (Spain): 106 infantry, 62 cavalry, 4 cannons, 12 harquebus [old rifles]
Atahualpa (Aztec): 7,000 of Atahualpa's personal attendants.
How it all panned out: "At the signal to attack, the Spaniards unleashed gunfire at the vulnerable mass of Incas and surged forward in a concerted action. The effect was devastating: the shocked and unarmed Incas offered so little resistance that the battle has often been labeled a massacre. Contemporary accounts by members of Pizarro's force explain how the Spanish forces used a cavalry charge against the Inca forces, who had never seen horses, in combination with gunfire from cover (the Inca forces also had never encountered guns before). Other factors in the Spaniard's favor were their steel swords, helmets and armor, against the Inca forces which only had leather armor and were unarmed. The Spanish also had 4 small cannons commanded by a Greek artillery captain which were used to great effect in the crowded town square. The first target of the Spanish attack was the Inca Emperor[6] and his top commanders; once these had been killed or captured the Inca forces were disorganized as the command structure of the army had been effectively decapitated..."
Final Score:
Spain (aka sword guys) - 1 wounded.
What I mean to say by this is, throughout history, despite there being implicitly a diversity of choices to be made at any one point, overall, mimicking pre-determinism, only a select section of the starting populations would ever remain in existence, namely the ones who acted to follow exactly the path delineated by the best solutions to certain problems. Solutions which existed, in hypothetic form, prior to the event.Aztecs (aka fisticuff guys) : 6000+ dead.
Let me expand the scale upward still further: Just follow the arrows as primitive man and woman make choices as they attempt to stay alive on their journey through the landscape of decision/solution:
Very basically, due to the principle of the "last man standing must have done something right" and despite individual free-will, the universe acts as if the future is pre-determined right from the very beginning, at least with respect to life, because *best* solutions to given situations and problems exist, eternal, outside of time.
Whoo. Cthulhu fhtagn.
invisible
Well, okay, it's not that freaky of an idea. In conclusion: let's say we're examining the past and present and trying to divine the future. Let's, for pictorial sensibilities, that the future is maybe looking kinda Barbarella-shaped.
In a determinist universe, we can look at the present, remember the past, do a few sums, and 'ping' - out pops a fully defined 60's Sci-fi queen. In a totally indeterminate (compatabilist) universe however, the present and the past are no good to predict the future, because of all the mini-mini-details/choices having such a 'huge' effect, and this snowballs - adding so much noise to the future that it becomes impossible really to see anything.
Inevitabilism is the middle path. It doesn't pretend to be completely accurate in the details, it simply looks at things on a larger scale, a scale where individual actions largely cancel out. Looks at the stage, rather than just the players, and reads the future from that.
Labels:
inevitabilism,
philosophy
Friday, May 06, 2011
The Book I Never Wrote
(2020 note - found this on my hard-drive from waaaay back whenever - looks like I started to write a book and then forgot about it - thought I'd preserve it for posterity lol)
(ok just gave it a quick read-through. Paint me surprised, it's actually pretty good, as far as it goes. Well done past-me.)
I suppose this is the bit where I try to justify - to you, but
more immediately, to myself - the writing of what amounts to that most pretentious
of things: a book of philosophy.
I mean, for God's sake - I'm nobody, just some schmoe like you
pretty much, with a house, and a wife, and some kids. I teach English somewhere
reasonably exotic, and I'm middle aged, so perhaps that explains some of it. It
started with a book, unsurprisingly on philosophy, that my Mum sent me one
Christmas. Kinda bored me to tears but I persevered and eventually joined an
internet forum. ilovephilosophy.com back in, I think, 2005.
It was fun, not so much the philosophy bit, but simply having the
chance to talk about stuff with people smarter than myself that didn't concern
work, what was for dinner and/or that thing that happened on the news that was
just so terrible.
Whole new world.
In short, I was hooked - and this was back in the days of dial-up
- so my telephone bill was just stupid. In fact, I think my wife and I had a
row about it. Late nights spent typing red-eyed at the keyboard mad as hell at
some guy who wouldn't see my point of view for the absolute genius it obviously
was. Lol.
(It was also where I learned what 'lol' actually meant. And Rofl.
And IMO. I did say I was old).
It's now about 15 years later - one more child and a whole shelf-load
of books later. Books on evolution, books on neurophysiology, books on history
- ancient, modern, political - you name it. Books on game-theory, complexity,
cognitive science and emergence. Introductions to quantum physics, overviews of
ethics, well - you get the idea.
I read a lot. And managed to
give myself a touch of carpal tunnel syndrome to boot. And what did I
get out of all this..? - Did all this make me happy..?
God no.
So, I thought I'd share my malaise, my cynicism, my general sense
of doom and gloom with you, dear reader, that you may become as I: enlightened.
Jeeze - I'm not selling you this am I..? I'm also lost without
smilies. Just imagine a few of those rueful-grin smiley-face things after
"God no" and "enlightened" okay..?
Anyway, now that I've finished doing a sterling job of making
myself sound like an asshole, read on.
The Big Guy in the Cinema
You’re in the cinema.
It’s a film you’ve been dying to see. The opening titles are playing when
someone comes and sits down in the seat in front of you. Normally, this wouldn’t
be a big thing – cinemas are designed to cope with it.
However, this guy is big (you think it’s
probably a guy – hard to tell in the dark), in fact this guy is huge. All you
can see is the broad expanse of his back. Even the sound seems muted by his
presence. Weird.
You lean forward and tap him on the
shoulder – it’s like poking a rock. “Excuse me...” You begin, but then another
face pops up from behind the back of the seat next to him. “Hi” says a voice
“You can’t see the film right..?”
“Doesn’t matter – you don’t need to see it
for yourself, we’ll tell you what you need to know okay..?” Then he sits back
down. And you’re stuck. You can’t even get a refund, and all the other showings
are booked solid. </p>
That’s God for you. It always starts with
him, or her, or it. If you want to see the real world for what it is; if you
want to try and work out how everything works, really works – then sooner or
later you will have to find a way to get God out of the cinema. Otherwise,
you’ll never be sure about whether or not what you think is true. For example,
something really basic. Walking. You walk, everyone walks. You pick a foot up,
move it forward, put it down, do the same thing with the other one and – wow –
you went forward one step. Call the newspapers. But did you really move
forward..?
Maybe you’ve played games on the computer
– I’ve played a lot of shooters - you press the ‘W’ key and your little
man/woman/gun-hand/whatever, moves forward until you take your finger off the
key (or you bump up against an invisible wall). The figure you control never
moves from the center of the screen. And that’s your clue. The central figure
doesn’t move – just makes walking movements with its feet as the computer
shifts the lanscape beneath them, constantly recalculating the view and
displaying what the underlying logic of the game dictates would be seen from
the point your character is plotted.
It’s the same with the real world, or at
least a real world with God in it. God can do anything, he has to be able to,
otherwise he’s not God anymore, just another alien with technology way better
than anything we can make, or understand – worthy of a little awe perhaps, but
not all-out worship. If God wanted to, for whatever bizzare, unfathomable
reason, he could be doing the exact same thing the PC does in games, for all of
us, all at once. We might think we’re walking – moving our bodies forward
through the world around us with our muscles – but equally, it might just be
God slowly pulling the carpet of the world backwards beneath our feet. In the
logic of faith, there is no way to disprove this isn’t the case.
But that’s just bloody
stupid.
Yeah, sure, you’re right. It’s absurd.
Then how about the textbook paradox instead: “Can God create something so heavy
God can’t lift it..?”
The answer is ‘yes’ – yes he can create
it; yes he can lift it anyway. There is no other answer possible without
knocking God off his omnipotent ‘can do anything’ perch. And if you ask “How’s
that possible then..?” The answer is pretty much ‘magic’. And that’s the
problem – magical solutions to seemingly unfathomable problems; magical
explanations for inexplicable events.
We’re asking the wrong questions though. You’ll
have worked out by now that at some point I’m going to say “religion is wrong”
or maybe, “our concepts of God are wrong.”, but that’s not the point. The real
question is, if they are wrong then why does everyone have them..?
Differential diagnosis time people.
How bullshit beliefs help you do
things you might not have had the guts to do otherwise, and also kill people.
Fear is the great immobilizer. Usually
we’re told we have to basic responses to unexpected events – the classic ‘flight
or fight’. But this is wrong. We have three. First we freeze, then we fly, or
fight, depending on what we think our chances are.
Let’s say, a long time ago, three guys
were out fishing. On the way to the boats one of them picks up a flower, maybe for
his wife, or maybe for a girl he’s trying to impress back at the village, or
maybe he just likes flowers, who knows. Anyway, he picks it up and puts it in
his hair. His friends laugh at him. They’re still laughing at the memory of it
out at sea, in their little canoes, when a rogue wave kills them all. Except
the guy who had the flower in his hair. He limps back to his village,
half-drowned. “What the hell happened..?” Says everyone. “We got hit by a rogue
wave,” he says, “Everyone’s dead apart from me.” “You lucky bastard.” Says
everyone. “And btw. – what’s with the flower..?” The guy looks sheepish, “Er, I
plain forgot all about that – I put it there just before we headed out.”
“Hmm.” Says everyone, looking at the
flower. “Are you going to give that to me..?” Says the guy’s girlfriend (aha –
mystery solved) “Erm, no, sorry, I think I’ll just hang onto this...” He says.
From then on - no-one makes a big thing
about it - but whenever anyone’s going out fishing, if they see one of those
flowers, they tuck it into their hair, you know, just for luck. Some of the
village women collect them, and give them to their husbands. Whenever one of
the children asks them about it, they tell them the story of the guy who survived
a wave the size of a mountain, because he wore the flower. Or was two mountains..?
“Wow mum, is the flower magic..?”
It must be, because anyone who limps back
into the village, whenever there’s been an accident at sea, has a flower.
You’ve got ot love self-fulfilling
prophecies. It’s like Elephant repellent spray. I’ve got some here, I’m
spraying myself with it now. Smells of vanilla. What do you mean..? Of course
it works, do you see any elephants..?
If everyone who goes out is wearing a
flower, then anyone who survives will be wearing a flower, and the one’s who
died will be shark-food, flower and all.
The important thing though is that these
flower-protected fisher-folk feel more confident about going out for fish in
weather conditions that other - none-flower-wearing - fisher-folk think twice
about. And so the flower-fisher-folk on an average, kilograms per year basis,
get more fish, simply because they spend more time fishing, and less time
watching the weather and sucking their teeth. And more of their kids, well-fed with all
those extra fish, survive to adulthood. And those extra adults take over more
islands.
All thanks to the magic anti-death-at-sea
flower. That never worked.
I don’t have to make these up btw. For example, in the
British Isles, Whelby fishermen wore a hammer-shaped talisman, fashioned out of
a sheep's bone, for protection against drowning.
Sometimes I think just how scary the first
armored knights must have been, back in the days of isolated rural villages
before the invention of the long-bow. Imagine, you are covered in metal from
head to toe – someone hits you with a stick and you can just laugh it off. You
have a great big sword, and they have at best, a leather jacket. You’ve a giant
warhorse, and a bloody great lance. Chances are, you could trot into a village
and massacre everyone there, without much more than a scratch. No wonder chivalry
was invented.
Anyway, what’s metal armor got to do with
anything..? Nothing really, but what if the armor was invisible..?
‘Sak
Yant’ is an ancient traditional type of Thai tattoo which people believe, to
this day, as having mystic powers. The designs inscribe Buddhist prayers called
Mantras or Katas that will invoke supernatural powers. These magic spells used
to be drawn on bits of cloth, and in the past, Thai soldiers would wear
Yant-printed uniforms for extra protection in battle. After Buddhism became the
adopted religion in Thailand, followers began to get Sak Yant tattoos. Even now,
many Thai men believe in the power of these tattoos, and get them done in
specialist parlors. There are also lots of stories of people with Sak Yant
tattoos being shot at close range and surviving without a mark on their skins;
or of them walking away from horrific car accidents without a scratch.
On the 8th of November 2012, according to the Bangkok Post,
a bunch of local teens decided to try their magical tattoos out.
Unsurprisingly, according to police records, all of them were injured during
the fighting. However,
that’s not the important bit. The important bit is that they fought, when other
people, without the magic tattoos, didn’t. When you believe you cannot be
harmed, then the fear of being harmed is less likely to slow you down when you
are considering harming others. In combat situations, the time spent in freeze
mode, or posturing, is lowered.
Rituals of manhood exist even today. Some modern
day examples include land diving – jumping off a hundred foot platform
somewhere around the age of eight with vines attached to your legs on an island
called Vanuatu in the South Pacific. Circumcision, with variations, has been
practiced without anaesthetics all round the world for as long as there have
been records. Scarification rituals in the pygmy tribes of the Ituri Forest involve
multiple cuts to boys’ chests, which are then rubbed with black mud. Boys of
the Algonquin Indian tribe of Quebec, often placed in a cage to stop them
hurting others, are sent on a hallucinogenic drug trip so traumatic that it is
supposed to erase all memories of their childhood. There are many others.
The
common factor in all these rituals is the aquainting of the pre-adult with pain
and fear, in what I suppose is, comparative to actual combat conditions, a
controlled environment. And since the ‘boys’ are going through a traumatic
ordeal with a group of their peers, a certain degree of bonding is probably
involved too.
So,
in short, who would you most like to fight to the death..? Somebody with no
real experience of pain, who has never had to develop any mechanisms to cope
with fear and panic, who has never had to face a life-threatening situation
before..? Or someone who was ritually tortured during their rites of passage, who
prides themselves on their ability to bear pain and believes they are wearing
magic armor..?
I know who I’d pick.
These
magical beliefs and rituals are what you could call ‘enabling’ beliefs. They
enable a group of people to do something – whether it’s collect more food, or
fight better – that they wouldn’t be abe to do as well without holding those
beliefs. And we’re talking a very long time ago here. Pre-history. Somewhere
after the dinosaurs but before we started making beer - The earliest
archaeological evidence of tool-making comes from the Koobi Fora section of East
Turkana. The people who made them, Homo habilis are believed to
be at least 2.5 million years old - So from then up until about twelve-thousand
years ago, to put a ball-park around it. We’re talking about our long lost
fathers and mothers. But before we wrap it up, there is one more thing to take
into account – not just the nature of a belief, but the strength of belief on
the part of the believer.
The
placebo effect is a medical and psychological phenomenon in which subjects are
made to believe in the positive effects of an actually completely ineffective
factor – a sugar pill for example. And they work, many ill people who are given
a placebo and made to believe in its medical value improve or get better. Many
people who are told the ‘energy drink’ they are given is a cognitive enhancer,
perform better in mental tasks. The part I want to emphasize is most easily
seen in the cognitive trials. The participants are told about the properties of
the ‘drug’ they are about to take, and they are asked, before they undertake
the test, how much they believe the drug will boost their performance. Very
usually the degree to which they believe the drug will help them predicts how
well they do on the test in reality.
The
more you believe, the better it works. In making people believe in the merits
of something you can’t really prove, there are three factors involved. (a) How
persuasive/impressive the salesman is (b) How convincing the sales-pitch and
the product itself is, and (c) how gullible the person is who’s listening to
it.
Suddenly
having a good witch-doctor in the tribe, backed by a consistent and convincing
set of myths lending them an impressive air of authority - all the better to
inspire strong beliefs, seems like a good idea.
Let’s
get back to prehistory. Let’s say there are lots of groups of humans spreading
out of Africa around the globe. Some of them are natural skeptics; they don’t
believe in anything that isn’t blatantly obvious. They have no mythology, no
magic cure-alls for disease, no magic hunting rituals or anti-drowning
talismans. Their warriors, if they would have needed any, only have their skins
and a sense of how fragile they are. They avoid mood-altering and
reality-distorting plant extracts. Other groups are steeped in mysticism,
believe with great conviction anything their witch doctor tells them. They are
covered in magic tattoos and scars from their rites of passage and commonly
take drugs baked out of the natural flora around them that make them brave,
focused and probably slightly crazy.
If
you could have observed these two pre-historic groups either apart, isolated
but in the same local area, or together in direct competition, who would you
put your money on to survive the longest..?
I’m
betting on the junkie S&M freaks.
I think that innate gulliblity - the physical capacity of our brains to
believe in things without concrete justification, and our mental capacity to
generate stories explaining the world in such a way as to bolster the authority
of those convincing us of the veracity of a set of enabling beliefs, was a
factor in our survival as a species. The humans who had this ability to form
magical beliefs lived, and became our ancestors; and those who couldn’t, well,
they died; or at the very least, became a teeny-tiny minority. Belief is in our
DNA.
But that was then, and this is now.
Okay,
so I’ve told you where I think magical thinking comes from, and why it was
necessary, but surely, we should have grown up by now, and left all that
magical stuff behind us..?
Rather
than go into the details of ancient religions lets just think about population
density over time. The world is a big place, and for a very long time there
weren’t that many of us. I mean - a rough estimate of the world population for
8000 BC was about five million people. Considering the population of the city
in which I live now is around 4 million and in March of 2011, London had an official population of 8,174,100, that’s very few
people indeed. Fewer still in the days of the paleolithic.
Of
course, though I said the world was a big place, in terms of ‘hey, this is a
nice place to live’ it’s not as big as it looks. Most of it’s in the sea, some
bits are just too damn hot, and other bits too damn cold. If we were all born
in Africa and radiated out in waves, as we increased in numbers and/or were
displaced in conflicts between groups, there were naturally some places where
people would ‘stick’, and others where people would perhaps pass through, but
not stay. There’s a great book ‘Guns, Germs and Steel’ which covers these
sticky places in depth. At the most basic levels these are places with water,
building materials, wild crops – later to be domesticated – and the wild
variants of what we now recognise as our domestic animals, to provide meat and
pulling power.
The
next thing to consider is Dunbar’s number. It estimates the number of people
that can live comfortably together – everyone knowing everyone - in a group
without splitting off into rival factions. It compares brain size and average
numbers in groups of animals like chimpanzees and baboons to produce a ratio.
For humans the number is roughly around 100-230 – usually averaged to about
150.
So
lets imagine early life – humans start off in Africa, the group size increases
beyond 200, and splits. Would there be fighting..? I don’t know, but one of the
big things that make modern humans fight – scarcity of resources and living
space – was not a problem back then. It would have simply been the choice
between a familliar place and an unfamilliar place. Perhaps they all shook
hands and one of the groups walked over the nearest hill and off into the
distance. Still, I’m betting there would have been some conflict, and the
losers were the ones that left to colonize elsewhere. You know what humans are
like with the whole “Hey, this is my seat” concept.
In short, life would mainly have been in a creative cycle, small groups
growing larger, isolated from each other with little of anything we’d recognize
as war. Wars require two sides to stay within reasonable distance of each
other, not for one of them to have the option of just moving away, never to be
seen again, with no real penalty except having to rebuild a house or two and
eat a slightly different diet; maybe even finding a better place to live than
the one they’d been about to fight over.
So,
a group finds somewhere nice to live, warm, plenty of food. Throw away the
birth control and multiply. Babies, and the ability to make them, are at a
premium. Women are more important to the survival of the group, than men. This
is probably why we have a lot of old statuettes and figurines of fat women with
great big tummies dating from way back when.
Later,
probably much later, as the ‘sticky’ areas close to the epicentre of humankind
get filled up, and there is more conflict as waves from closer to the centre
push outward, keeping a large group together – way past the limit of Dunbar’s
number – would become a good way of ensuring your group doesn’t get booted out
by the next bunch of knuckle-draggers coming over the hill. Keeping people
together in extended social networks would take social skills, not something else
men are renowned as being good at.
I’m
guessing that in the deep past women, and the mystery of childbirth, loomed
very large in belief systems. And when early farming became normal, the
question of fertility, both of women and fields also became hugely important.
Once
groups swell beyond a certain size though, you end up with hierarchies to keep
everyone in their place. Queens and consorts perhaps. And when you have large
groups in close proximity, neither wanting to move, if only because fields
can’t walk, then you get war. And when war becomes important, so do men.
Competition
/ isolation / creative – fertility female / growth // switch to agression
destructive male / hierarchy power legitimacy / ritualizer caste.
Small
world attracters of guns germs and steel.
Sweeping generalization time. Let’s just put it this way: Back in the
day, there were less reasons to kill people, and more reasons to make people.
And keep the ones already in the group together for longer. Both areas –
procreation and social, rather than violent, manipulation – in which women
excel. So, equally reasonably you would expect groups that (a) valued children,
and (b) gave social importance and power to women, would prosper to a greater
extent than groups which did not.
Placebo /pain /first strike /degree of
belief.
If you study ancient mythology you can
roughly track how the need for magical solutions has changed with the changes
in humankind’s way of life. If you look at people’s without any knowledge of
how the world works at all – primitive tribal hunter/gatherers - you find their
myth-cycles involve a very diffuse spirit world – with pretty much everything
possessing some type of spirit - which must be taken into consideration when
planning actions. No central, well defined God(s), just a generally magical
environment. In later, small rural societies you get elementals that need to be
treated with – rain-gods, sun-gods fertility Gods, Gods that govern the kind of
natural disasters that farmers dread – droughts, famines, blights. Warrior
societies add onto these pantheons, surprise-surprise, Gods of war.
City-builders have generally what would now pass for ‘modern’ Gods – Gods that
can generate floods, plagues and earthquakes and all the other disasters that
come along with having a dense population stuck in one place with a poor grasp
of sanitation and building codes living in areas of rich soils – like erm,
alluvial flood plains and areas of volcanic activity...
Myths usually start with some kind of
creation story, then sometimes something to explain why society is unequal
(Hindu myths and the caste-system for example). Then you usually get a magical
story explaining the progression of the seasons – ice giants kidnap the spring
maiden, creating winter; someone heroic frees her just in time for planting
etc. – and a whole system of ritual appeasements to prevent natural disasters.
Warrior societies generate mythic inducements toward bravery and victory for
their fighters.
Of course, however many rituals you
undertake, natural disasters happen anyway, so myth-cycles evolve to explain
why. Generally the Gods were angry at something, and boom, there was a
flood/plague/whatever. Then the story explains why it won’t happen again as
long as the populace doesn’t do X,Y or Z. And for a while, no-one dares do X,Y
or Z. (Then someone does do X, and there’s another disaster. Or at least that’s
what must have happened).
The whole idea is absurd. But we are
surrounded by absurdity everywhere we look. Imagine showing someone from a
couple of hundred years ago a TV camera. “This” you say, “is er, a mechanical
eye. It looks at things – like your face for example – and throws what it sees
all the way across the world to a mechanical artist in a box, who draws
really-really fast so someone else can see it.” They’d laugh you out of town.
Then you’d say “Yeah, and the mechanical artist guy doesn’t use a pen, he draws
with miniature lightning...”
Now of course, with us being so modern and
all, mechanical eyes that throw pictures and drawing with miniature lightning doesn’t
sound absurd at all; we are perfectly comfortable with it. No-one is scared of
what would’ve seemed like witch-craft long ago. Why is that..?
Most of it is simple familiarity. Okay,
it’d be nice to say that we all know about the physics underpinning the
technology we use every day – electromagnetism, thermodynamics, quantum theory
and etc. And that that knowledge extinguishes our fear of all this technologic
wizardry, but we don’t, or at least I don’t anyway. And neither for that matter,
do pre-schoolers – a demograph not famed for its depth of technical expertise –
and yet, they don’t run around screaming every time the phone rings because,
shock-horror, they have no understanding of electronics. So it’s can’t be
simply a matter of understanding bringing a feeling of security. It’s
familiarity, and social example. The ‘Dad isn’t afraid of the telephone so I
don’t have to be either’ effect.
As we spend time growing up around
technology, or anything for that matter, we learn its limits. We learn that the
telephone rings, but does not explode. We learn that cars move forward and
back, and round corners, but never up. We learn the water goes down the
plughole, but never climbs the wall. We learn that the things in this world are
consistent: They always do this; they can do this too sometimes under
extraordinary conditions; but they never, ever do that. And from this we learn
to move through the world around ourselves without fear. We cross the road
without worrying overmuch about being suddenly crushed by the tonne or so of
speeding steel and plastic hurtling towards us, because we know it won’t be
able to reach us before we’ve gotten to the other side, even if the guy behind
the wheel is a psychopathic killer. We allow for acceleration and driver
inattention. Well, usually anyway.
We fear the unknown not because we don’t
understand how it works, but can’t predict what it will do.
This fear also induces a kind of
paralysis, a ‘rabbit in the headlights’ effect in the face of this unknown
object/person/whatever, simply because when we first witness it up close –
close enough for it to reach out and strangle/maim/disembowel us – we don’t
know what kind of action on our part might suddenly set it off on a killing
spree, ergo – we do nothing, and sit there like frozen yoghurt. Which is bad.
Familiarity doesn’t breed contempt so
much as a relief from this paralysis. Familiarity is the great enabler of
humankind. It allows us to function. Which gives us a problem when we’re around
things which have no precedents in our experience, or are so infrequently met
with in normal life that there is nothing consistent cause/event-wise to become
familiar to. It’s then we have to become Sherlock Holmes and deduce what
happens, produce explanations, guess limitations without testing them.
I don’t know about you but I love old vampire
movies. “I vant to drink your blood. Lizten to ze children ov ze night, vat
vunderful muzic zey make.” Love 'em. However, I’m guessing, when we didn’t have
streetlights, or streets either for that matter, the night was a scary ole’
place, because people sometimes did die out there, just beyond the circle of
the fire, where the black began.
When I was younger, soon after I'd gotten my first job, I suddenly had more money than I knew what to do with, and the freedom to spend it on any old stuff I fancied. One of the first things I bought was a good reflex bow, and a bunch of sexy black carbon fibre arrows. I lived in an empty farm house at the time - a old renovated serf's cottage. There was a large field out back, laying fallow. I lugged a couple of hay bales (note - surprisingly heavy for a bunch of dried grass) and set them up, pinning a target to a couple of layers of cardboard and sticking it up to shoot at.
I lost the first arrow I ever shot. Not because I missed, but because the arrow struck the target squarely in the blue ring, and went right through, presumably to bury itself completely in the soil somewhere beyond. I never found it. The arrows were blunt tipped - rounded, and the bow itself was only a 40lb draw target bow, not the heavier 70lb hunting type, and yet, the arrow, from 25m away went through the paper, 3 layers of cardboard, about2 feet of straw, and still
had enough energy left to bury it's 60cm length in the loose soil.
When I was younger, soon after I'd gotten my first job, I suddenly had more money than I knew what to do with, and the freedom to spend it on any old stuff I fancied. One of the first things I bought was a good reflex bow, and a bunch of sexy black carbon fibre arrows. I lived in an empty farm house at the time - a old renovated serf's cottage. There was a large field out back, laying fallow. I lugged a couple of hay bales (note - surprisingly heavy for a bunch of dried grass) and set them up, pinning a target to a couple of layers of cardboard and sticking it up to shoot at.
I lost the first arrow I ever shot. Not because I missed, but because the arrow struck the target squarely in the blue ring, and went right through, presumably to bury itself completely in the soil somewhere beyond. I never found it. The arrows were blunt tipped - rounded, and the bow itself was only a 40lb draw target bow, not the heavier 70lb hunting type, and yet, the arrow, from 25m away went through the paper, 3 layers of cardboard, about
Interesting
fact, if you want to pierce bullet-proof glass, use an arrow.
Imagine it’s a very long time ago and you're hungry and tired, hunting
at dusk. You hear a noise, and loose an arrow. You hit something. Unfortunately
you find that the something involved is some poor guy leaking from an entry and
an exit hole in his neck, and no arrow in sight. After fruitlessly scouting
around a bit, you decide to scarper back off to your village, and keep quiet
about the whole thing. The ground is loamy, and that night there's a light shower
of rain, enough to soak away the blood, but a rain which is dried up by the
morning.
So - In the morning a body is found, white as a sheet, with two clean holes in its throat, and no blood to be seen anywhere. Scary.
Or imagine a different scenario that same night. Some guy's drunk as a skunk, weaving his way through the darkness back home. Unfortunately, he runs into the end of a pointy forked branch, right at throat height. Manages to sever a carotid. Bleeds to death on that same bit of loamy ground, and is washed down by that same shower. Doesn’t matter.
The whole village begins to talk about it. Then someone’s crazy old granny remembers a story she heard, ooh way back - happened to a friend of a friend's uncle in the old country. About monsters who sucked the blood of people caught alone in the dark. “Holy-moley” says everyone, “so that's what happened to that guy. Vampires. Oh boy we are screwed now.”
But then granny also remembers that garlic was supposed to drive them off.
Vampires are bullshit. Along with fairies, werewolves and ghosties and ghoulies of all kinds. However, they are useful bullshit, enabling bullshit. Because they offer cause. And much more importantly, they offer precautions.
Garlic.
Wolfsbane, silver, secret signs, chants and ritual movements. The unknown
killer in the darkness which cannot be stopped by any means becomes the
(however falsely) known killer in the darkness, which can be
dealt with. Whip out your garlic necklace and you're safe as houses - wanna go
for a walk in the nightime..? Go right ahead.
Nothing has changed. Some people will still go out into the dark and never come back. But the important bit to remember is, the people who believe in vampires, will still be able to go out in the dark if they really need to -whereas the ones who have no explanations at all, won't. Any explanation is better than none.
[basically here I want to
say that spurious explanations are useful]
I sometimes watch a program – a very
talented magician goes out onto the street and does magic tricks. I saw him
walk across the Thames river in London, and levitate in front of the statue of
Jesus in Rio. How staged were the reaction-shots of those watching him I don’t
know, but looking at the faces they all have a common expression – somewhere
between delight and fear. The best example was the face of a woman in the
Barrios. The magician had put a piece of wire between his hands I think, and in
a couple of seconds drop the wire to the ground. When the woman picked it up,
the wire was bent, in looping itallic script, into her name.
When she stopped looking at the wire, and
looked at the magician, you could see the happy amazement and outright
wariness, fear, battling it out on her face. Part of her was delighted at what
the man had done for her, and part of her was downright scared of the guy, even
though she probably knew it must be just a trick. I don’t blame her, I’d be a
bit scared too. I’d want to know how he did it, just for my peace of mind.
Still, who cares, only a bit of wire.
Entertainment.
I read a news report once, I forget where,
it might have been Fortean Times. It was about a picnic that went horribly
wrong. A lovely day, families eating together on long tables in the park. Kids
playing. Shouting, laughing, sunshine, nice green trees. There’s one kid
chucking twigs, or stones maybe, at a cat stuck up a tree; trying to get it to
come down. Eventually I suppose he must have hit it because the cat suddenly
shoots off around the other side of the trunk and disappears. The kid follows,
going around the base of the tree out of sight. Suddenly there’s a child’s
scream, one that brings the adults running.
False alarm. The kid running round the
tree tripped over some old guy snoozing against the trunk in the shade. The
cat’s nowhere to be seen. Scared the bejesus out of kid though.
“The cat.” Stammers the kid, “The cat
turned into an old man !”
If this were the Disney channel, then
here’s where everyone would burst out laughing, someone would ruffle the boy’s
hair, and say “Don’t be silly little Timmy, cats don’t turn into people...”
then laugh some more.
But this wasn’t the Disney Channel. This
was a place where a belief in sorcerers was commonplace. When someone got ill,
it wasn’t because of a virus going round, or bad food, or bacteria. No, it was
because a sorcerer had put a curse on them. If they walked into a lamp-post and
broke their nose; it wasn’t because of clumsiness or distraction, it was
because a sorcerer had put a curse on them. When granny died of old age, it
wasn’t because one of her organs had finally given out, no - you got it, it was
because a sorcerer had cursed her to death. Sorcerers could be anywhere, look
like anything - animal or human – and were absolutely lethal.
And so, the adults in the family who had
come to the aid of the kid, beat the old man to death with sticks.
The end.
Magical thinking...
Which God is the one to worry
about..?
Strange
question, I agree. There’s only supposed to be one right..?
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